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All advice documents, training courses and blog entries tagged 'sound recordings'

Moving images advice tagged 'sound recordings'

Audio advice tagged 'sound recordings'

  • Creating an Audio Ident

    This paper discusses some of the design considerations and practicalities when using and/or creating idents for audio resources. The paper is divided into two halves - the first offers an overview of audio idents, discussing areas including when idents can be effective, and the types of sounds that can be used in idents. The second provides a how-to guide on constructing and adding idents to existing spoken word recordings using the software Audacity.

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  • AAC Audio and the MP4 Media Format

    A guide to the creation and use of AAC compressed audio resources. AAC is the successor to the popular MP3 format, and this document explains its advantages over MP3, as well as its place within the wider MPEG-4 media family.

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  • Uncompressed Audio File Formats

    This document summarises the main features of uncompressed audio file types, including WAV, AIFF and Broadcast WAV (BWF). It gives an overview of these ‘raw’ formats, and a simple explanation of the common options they will offer the user when creating or working with digital audio. It also looks at lossless compression tools for subsequently reducing the size of these files which will allow reconstruction of their original audio data sonically unaltered. Several sections include links to further resources covering specific relevant topics in more detail, so this is a good place to start if you want to learn more about any of these formats.

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  • User Guide to MP3

    A guide to the creation, manipulation and use of audio flies in the popular MP3 format, including a close look at the many audio and metadata options which MP3 offers, and its use within teaching and learning.

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  • Acoustic Treatment

    An illustrated introductory guide to the various methods of acoustic treatment for improving room acoustics and reducing sound transmission, and some simple methods for identifying acoustic problems.

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  • Choosing an Audio Interface - Unit Specifications

    A comparison of the features and specifications of some popular and suggested audio interfaces.

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  • Choosing an Audio Interface - Technical Considerations

    Explanation of the various specifications quoted for computer audio interfaces, and their relevance to functionality and sound quality.

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  • Choosing an Audio Interface - Project Requirements

    The implications of different types of audio and video project for your choice of audio computer interface.

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  • Audio Processing - Dynamics and Compression

    How compression and other forms of dynamics processing work, and how they can be used to improve the impact, clarity and subjective quality of your recordings.

    [Note: In the context of audio signal processing, ‘compression’ has a completely different connotation to ‘compression’ when used to describe file compression in the computer domain. Though they share the same term the two are entirely unrelated, and should not be confused!]

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  • Using a Mobile Phone as an Audio Recorder

    Examining the potential uses of mobile phones and other mobile devices as simple voice recording and audio blogging tools.

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  • Recording Skype Calls

    This is a simple step-by-step ‘how to’ guide to recording Skype phone calls. Skype is a free VOIP (Voice Over Internet Protocol) software tool which allows free calls to be made over the internet. This guide assumes that you already have Skype installed and running on your computer and that your speakers/headphones and microphone are already configured to make and receive calls via Skype.

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  • Recording Telephone Conversations

    Guidance on the principle, ethics and practice of recording telephone conversations for Remote Interviews and Oral History.

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  • Setting up an Audio Workspace

    A guide to some of the considerations when installing a Digital Audio Workstation, and preparing and optimising the space for recording and listening.

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  • Creating an Audio Podcast

    An introductory guide to recording an audio podcast on a computer with a microphone and free open-source software.

    This advice document will help users with little or no experience of recording audio to record their voice onto their computer using free software and simple peripherals. It then covers basic processing and editing of their recording and mastering it to a final format - in this case MP3. Simple instructions are then given for delivering this recording as a podcast through an institution’s VLE and for archiving projects.

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  • Choosing your Digital Audio Software

    It can be a difficult task to choose the right audio software for your specific project, especially if you are new to the world of digital audio. This paper discusses some of the key factors to consider when choosing audio software and provides a comparison guide to some of the most popular packages.

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  • Equipping an Audio Digitisation System

    This document aims to provide information needed when equipping an audio digitisation project of analogue media to a digital hard drive. This document is written with the digitisation of stereo and mono files in mind. For information regarding digitising multi-track recordings, there is a section at the end of this document with some recommendations and considerations. This document is intended to provide a guide to staff who wish to undertake digitisation projects of any scale, be it small or large.

    This document is intended to be read alongside Selecting an Audio Digitisation System, which provides a variety of system specifications for differing budgets.

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  • Audio via Blackboard

    An overview of using Audio in Teaching and Learning, and an introductory guide to the facilities of Blackboard VLE for supporting audio-enriched content and communication.

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  • Selecting an Audio Digitisation System

    This document is a discussion of some of the primary audio digitisation systems available for digitising analogue audio media. This document is intended to be of use to staff engaged in the digitisation of analogue audio, whether dealing with only a few or a few hundred tapes.

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  • Case Study: Good Newts / Bad Newts

    A representative scenario, designed to help address common areas of interest regarding the audio and screen capture of PowerPoint presentations in lecture theatres.

    Presented to us as a fictional scenario, designed to incorporate typical real-world issues and key areas of interest.

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  • Audio Troubleshooting Guide

    A step-by-step guide to diagnosing and rectifying some common technical problems encountered when preparing a recording system

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  • Stereo Recording Techniques

    A more advanced guide to various stereo microphone techniques.

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  • Microphone Technique

    A guide to using microphones in some of their common applications in recording. Covers good practice in setting up and connecting microphones, and includes tips on getting the best from your equipment and subject.

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  • The Physical Principles of Sound

    An introductory guide to the physical properties of sound and a basic introduction to the acoustics of enclosed spaces.

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  • Digital Equalisation

    An introduction to the most common types of equaliser available within software, and equivalent purpose-built hardware units, suitable for live sound reinforcement, recording and mixing.

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  • An Introduction to Digital Audio

    A guide to the theory of digital audio, explaining the process of analogue to digital conversion and how sound is represented and stored in digital form.

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  • Microphone Guide

    A guide to microphone characteristics, selection and care

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Cross-media advice tagged 'sound recordings'

  • Copyright and Other Rights for Creating Time-based Media Resources

    This advice document provides some basic information on rights issues associated with creating time-based digital media resources. By time-based we mean resources that change over time - including spoken audio, music, animation, and video - as opposed to still images or screen shots, which do not change over time. Rights issues include copyright, recording rights, moral rights and performance rights.

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  • Audio/Video Production: Recording Lectures, Seminars and Events

    The principles and practice of location recording of sound and video for educational use.

    In this paper we discuss requirements and issues to consider when recording events. We look at both sound-only and combined sound-and-vision recording. The discussion focuses on considerations applicable to any scenario the reader may encounter; for issues specific to different types of event the reader is directed to the appropriate Basic Guide.

    We conclude with some example scenarios.

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  • Project Management for a Digitisation Project

    This paper takes a look at the role and responsibilities of the digitisation project manager. It addresses common managerial challenges such balancing the expectations of stakeholders and ensuring the of quality of output. It is intended to be of use to the management team of time limited digitisation projects or to resource management staff planning to digitise their collection.

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  • Deciding to Digitise

    This brief document takes an introductory view of pre-digitisation project considerations. It is intended to be of use to resource management staff considering the digitisation of all or part of their collection.

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  • To Outsource or to Digitise In-house?

    This document is intended to inform the managers of analogue collections which have been identified for digitisation. It looks at the pros and cons of outsourcing digitisation work before contrasting these with carrying out work in-house.

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Training courses tagged 'sound recordings'

  • Digital Media Restoration

    Analogue media deteriorates at an alarming rate and few digitisation projects can hope to retrieve great signals from aged collections. In order to archive maximum usefulness some basic digital remastering is often required. Fortunately, today’s digital tools mean we can easily remove unwanted ‘defects’ whether hisses and scratches from shellac discs or the distorted colours of old videotapes

    n.b. This course covers digital restoration of audio-visual resources only. It does not cover restoration of still images

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  • Audio Production: Recording Lectures, Seminars, Interviews and Podcasts

    This course will provide you with the knowledge and skills to record and produce recordings of spoken word audio, with specific emphasis being placed upon the recording of lectures, seminars and events. You will learn the basic concepts of recording technologies and through practical exercises you will learn how to confidently apply these to practical situations. The workshop will also introduce you to ideas for delivering new media such as podcasting, and suggest methods for managing your digital recordings.

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Blog entries tagged 'sound recordings'

Training courses