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All advice documents, training courses and blog entries tagged 'sound recordings'

Moving images advice tagged 'sound recordings'

Audio advice tagged 'sound recordings'

  • Recording Audio Voiceovers for Teaching and Learning Materials

    This paper introduces the concept of voiceover for media resources and provides information and links to technical resources to help in creating voiceover resources.

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  • USB Microphone Guide

    Everything you need to know about choosing and using a USB microphone for voice recording and communication.

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  • Portable Digital Audio Recorders

    A guide to choosing and using a portable digital audio recorder, covering everything from digital dictaphones to professional field recorders. If you need a self-contained device for recording audio on location, audio note taking, or for any other scenario where recording with a computer is impractical or inconvenient, this document examines the alternatives.

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  • Audio Feedback - A How-To Guide

    This document provides a simple step-by-step guide to creating and embedding audio feedback using Microsoft Word 2000 and 2007, the most common format for student text works. There is also a mention of embedding audio in PDFs, which is discussed at the end of this document, with a link to the appropriate Adobe online resource.

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  • Audio Feedback

    This paper presents an introduction to audio feedback as a tool in teaching and learning in FE/HE. Drawing on previous research and case studies in the field, this paper discusses models of audio feedback and the potential of using audio over other methods of delivering feedback, as well as any notable drawbacks.

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  • Audio Post-Production Techniques for Spoken Word

    This paper is aimed at those with a low level of confidence in working with digital audio. Whereas some basic knowledge and experience is expected, the techniques and concepts adopted herein are presented for the novice. This paper intends to provide an introduction to some of the main considerations when producing digital audio after the recording stage of a spoken word project. Post-production offers a huge expanse of technical and creative capabilities where the spoken word can be fine-tuned to sound crisp and clear, blended with music, or made to sound as if it were recorded in a different physical space. This paper aims to provide simple, practical solutions to common problems faced when working with spoken word, as well as tips to enhance recordings and help you achieve the best possible result.

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  • Free Online Audio Editors

    There is a wide range of both free and commercial software which you can install onto your computer to record and edit digital audio, whether for podcast or music production. But what if you don't have the ability to install software on your machine, or it isn't powerful or fast enough for the task, or there isn't enough space, or if you simply don't want to?

    For simple audio editing and processing tasks there are now a few versatile audio tools which you can access online via their providers' websites, and which run on remote servers while you remotely operate their interface through your familiar web browser, and stream audio to and from them via the internet.

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  • Headphone Guide

    A guide to the types of headphones available for various listening tasks, their features, strengths, weaknesses and relative merits. This guide is intended to help users choose the best type of headphones for their needs.

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  • Creating an Audio Ident

    This paper discusses some of the design considerations and practicalities when using and/or creating idents for audio resources. The paper is divided into two halves - the first offers an overview of audio idents, discussing areas including when idents can be effective, and the types of sounds that can be used in idents. The second provides a how-to guide on constructing and adding idents to existing spoken word recordings using the software Audacity.

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  • AAC Audio and the MP4 Media Format

    A guide to the creation and use of AAC compressed audio resources. AAC is the successor to the popular MP3 format, and this document explains its advantages over MP3, as well as its place within the wider MPEG-4 media family.

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  • Uncompressed Audio File Formats

    This document summarises the main features of uncompressed audio file types, including WAV, AIFF and Broadcast WAV (BWF). It gives an overview of these 'raw' formats, and a simple explanation of the common options they will offer the user when creating or working with digital audio. It also looks at lossless compression tools for subsequently reducing the size of these files which will allow reconstruction of their original audio data sonically unaltered. Several sections include links to further resources covering specific relevant topics in more detail, so this is a good place to start if you want to learn more about any of these formats.

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  • User Guide to MP3

    A guide to the creation, manipulation and use of audio flies in the popular MP3 format, including a close look at the many audio and metadata options which MP3 offers, and its use within teaching and learning.

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  • Acoustic Treatment

    An illustrated introductory guide to the various methods of acoustic treatment for improving room acoustics and reducing sound transmission, and some simple methods for identifying acoustic problems.

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  • Choosing an Audio Interface - Unit Specifications

    A comparison of the features and specifications of some popular and suggested audio interfaces.

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  • Choosing an Audio Interface - Technical Considerations

    Explanation of the various specifications quoted for computer audio interfaces, and their relevance to functionality and sound quality.

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  • Choosing an Audio Interface - Project Requirements

    The implications of different types of audio and video project for your choice of audio computer interface.

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  • Audio Processing - Dynamics and Compression

    How compression and other forms of dynamics processing work, and how they can be used to improve the impact, clarity and subjective quality of your recordings.

    [Note: In the context of audio signal processing, 'compression' has a completely different connotation to 'compression' when used to describe file compression in the computer domain. Though they share the same term the two are entirely unrelated, and should not be confused!]

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  • Using a Mobile Phone as an Audio Recorder

    Examining the potential uses of mobile phones and other mobile devices as simple voice recording and audio blogging tools.

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  • Recording Skype Calls

    This is a simple step-by-step ‘how to' guide to recording Skype phone calls. Skype is a free VOIP (Voice Over Internet Protocol) software tool which allows free calls to be made over the internet. This guide assumes that you already have Skype installed and running on your computer and that your speakers/headphones and microphone are already configured to make and receive calls via Skype.

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  • Recording Telephone Conversations

    Guidance on the principle, ethics and practice of recording telephone conversations for Remote Interviews and Oral History.

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  • Setting up an Audio Workspace

    A guide to some of the considerations when installing a Digital Audio Workstation, and preparing and optimising the space for recording and listening.

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  • Creating an Audio Podcast

    An introductory guide to recording an audio podcast on a computer with a microphone and free open-source software.

    This advice document will help users with little or no experience of recording audio to record their voice onto their computer using free software and simple peripherals. It then covers basic processing and editing of their recording and mastering it to a final format - in this case MP3. Simple instructions are then given for delivering this recording as a podcast through an institution's VLE and for archiving projects.

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  • Choosing your Digital Audio Software

    It can be a difficult task to choose the right audio software for your specific project, especially if you are new to the world of digital audio. This paper discusses some of the key factors to consider when choosing audio software and provides a comparison guide to some of the most popular packages.

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  • Equipping an Audio Digitisation System

    This document aims to provide information needed when equipping an audio digitisation project of analogue media to a digital hard drive. This document is written with the digitisation of stereo and mono files in mind. For information regarding digitising multi-track recordings, there is a section at the end of this document with some recommendations and considerations. This document is intended to provide a guide to staff who wish to undertake digitisation projects of any scale, be it small or large.

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  • Audio via Blackboard

    An overview of using Audio in Teaching and Learning, and an introductory guide to the facilities of Blackboard VLE for supporting audio-enriched content and communication.

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  • Selecting an Audio Digitisation System

    This document is a discussion of some of the primary audio digitisation systems available for digitising analogue audio media. This document is intended to be of use to staff engaged in the digitisation of analogue audio, whether dealing with only a few or a few hundred tapes.

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  • Case Study: Good Newts / Bad Newts

    A representative scenario, designed to help address common areas of interest regarding the audio and screen capture of PowerPoint presentations in lecture theatres.

    Presented to us as a fictional scenario, designed to incorporate typical real-world issues and key areas of interest.

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  • Audio Troubleshooting Guide

    A step-by-step guide to diagnosing and rectifying some common technical problems encountered when preparing a recording system

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  • Stereo Recording Techniques

    A more advanced guide to various stereo microphone techniques.

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  • Microphone Technique

    A guide to using microphones in some of their common applications in recording. Covers good practice in setting up and connecting microphones, and includes tips on getting the best from your equipment and subject.

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  • The Physical Principles of Sound

    An introductory guide to the physical properties of sound and a basic introduction to the acoustics of enclosed spaces.

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  • Digital Equalisation

    An introduction to the most common types of equaliser available within software, and equivalent purpose-built hardware units, suitable for live sound reinforcement, recording and mixing.

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  • An Introduction to Digital Audio

    A guide to the theory of digital audio, explaining the process of analogue to digital conversion and how sound is represented and stored in digital form.

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  • Microphone Guide

    A guide to microphone characteristics, selection and care

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Cross-media advice tagged 'sound recordings'

  • Preparing for an Interview

    Aside from correctly addressing the technical concerns when conducting an interview, the success of a good interview also relies heavily on the interaction between the interviewer and the subject and the pre-production preparation undertaken. This document aims to provide some useful tips and thoughts to help you enhance your interviews and create a relaxed and productive conversational environment.

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  • Screencasting Workflow

    An overview of all the elements involved in producing screencasts at different levels of complexity, and for a variety of educational purposes. We examine some technical tools and methods for screencast creation from the ground up, and for those already familiar with screencasting there are ideas and tips for improving quality and effectiveness.

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  • Basic Guide to Videoing Audiovisual Materials

    This document is intended for users who wish to record teaching materials such as those used during a lecture. This includes both projected materials, materials shown on a television screen and printed materials. It covers everything the novice should need to know from the first step to the last.

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  • Finding Subject-Specific Digital Media Resources

    There are a multitude of websites providing access to a wide range of digital media resources (images, video and audio) covering many subject areas. This can be very bewildering if you are searching for specific resources to use in the lecture/classroom or for inclusion in a VLE (virtual learning environment). The purpose of this document is to provide a subject-specific guide to finding digital media resources with links to a number of useful websites.

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  • Finding Video, Audio and Images Online

    There are countless websites offering images, video and audio files for use in education, but it's not always easy to know which sites are most useful or appropriate. This advice document discusses general tools and strategies for finding digital resources and looks at many of the sites you can use as reliable sources.

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  • Copyright and Other Rights for Creating Time-based Media Resources

    This advice document provides some basic information on rights issues associated with creating time-based digital media resources. By time-based we mean resources that change over time - including spoken audio, music, animation, and video - as opposed to still images or screen shots, which do not change over time. Rights issues include copyright, recording rights, moral rights and performance rights.

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  • Audio/Video Production: Recording Lectures, Seminars and Events

    The principles and practice of location recording of sound and video for educational use.

    In this paper we discuss requirements and issues to consider when recording events. We look at both sound-only and combined sound-and-vision recording. The discussion focuses on considerations applicable to any scenario the reader may encounter; for issues specific to different types of event the reader is directed to the appropriate Basic Guide.

    We conclude with some example scenarios.

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  • Project Management for a Digitisation Project

    This paper takes a look at the role and responsibilities of the digitisation project manager. It addresses common managerial challenges such balancing the expectations of stakeholders and ensuring the of quality of output. It is intended to be of use to the management team of time limited digitisation projects or to resource management staff planning to digitise their collection.

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  • Deciding to Digitise

    This brief document takes an introductory view of pre-digitisation project considerations. It is intended to be of use to resource management staff considering the digitisation of all or part of their collection.

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  • To Outsource or to Digitise In-house?

    This document is intended to inform the managers of analogue collections which have been identified for digitisation. It looks at the pros and cons of outsourcing digitisation work before contrasting these with carrying out work in-house.

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Training courses tagged 'sound recordings'

  • Digital Media Restoration (Audio-Visual only)

    Analogue media deteriorates at an alarming rate and few digitisation projects can hope to retrieve great signals from aged collections. In order to archive maximum usefulness some basic digital remastering is often required. Fortunately, today's digital tools mean we can easily remove unwanted 'defects' whether hisses and scratches from shellac discs or the distorted colours of old videotapes

    N.B. This course covers digital restoration of audio-visual resources only. It does not cover restoration of still images

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  • Audio Production: Recording Lectures, Seminars, Interviews and Podcasts

    This course will provide you with the knowledge and skills to record and produce recordings of spoken word audio, with specific emphasis being placed upon the recording of lectures, seminars and events. You will learn the basic concepts of recording technologies and through practical exercises you will learn how to confidently apply these to practical situations. The workshop will also introduce you to ideas for delivering new media such as podcasting, and suggest methods for managing your digital recordings.

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Blog entries tagged 'sound recordings'

Training courses