This document looks at the history of photographic and movie film and how and why the film type has altered over time. The document also contains some frequently asked questions on film types and handling.
Read full advice document...Analogue media deteriorates at an alarming rate and few digitisation projects can hope to retrieve great signals from aged collections. In order to archive maximum usefulness some basic digital remastering is often required. Fortunately, today’s digital tools mean we can easily remove unwanted ‘defects’ whether hisses and scratches from shellac discs or the distorted colours of old videotapes
N.B. This course covers digital restoration of audio-visual resources only. It does not cover restoration of still images
Read course description...This course is designed to meet the requirements of staff in libraries, archives and other related institutions needing to digitise existing analogue collections. The course builds on our Digitising Analogue Audio workshop, by introducing a range of legacy audio media and examining them in more detail.
The workshop will provide the opportunity to both handle these media and configure the equipment needed for their successful playback. A recommended, pragmatic workflow will be followed.
Essential theoretical and interesting historical information is included which together contribute to understanding: the development of audio recording technologies; how to handle and best reproduce each medium; how to digitise each medium to archival standard.
Read course description...Creative Cow has published a wonderful article from Ken Weissman, supervisor of the Film Preservation Lab at the Library of Congress in the US.
Read blog entry...We have just released a new advice document looking at the different materials used to make film for stills and moving images.
Read blog entry...The keen-eyed among you will have already noticed we have just released details of our new training programme for September to December.
Read blog entry...