This document uses images to illustrate how different resampling methods will affect the appearance of the resized image. The most suitable method varies according to the type of image being resampled, this paper helps to guide the user to the appropriate resampling method for their images.
Read full advice document...While the traditional photographic print or negative is a 'real' tactile object, the digital image is just a series of ones and zeros stored on computer media. This document explains how the digital data is used to display or print a digital image.
Read full advice document...In order to accurately calibrate and benchmark imaging devices, it is standard practice to capture colour targets and resolution targets. Capturing a target and assessing the results can give an accurate indication as to how your system is performing. This document lists a variety of targets that are used to measure a capture device's ability to resolve detail or record colour information. Some of these targets are widely used to calibrate cameras and scanners as part of an effective open loop colour system.
Read full advice document...The digital image is a more than just a loose arrangement of pixels; to accurately represent an image it must have a resolution and colour depth. This document explains what makes a digital image and how to use the resolution and colour depth appropriately.
Read full advice document...This document details the features of the typical flatbed scanner and what to look out for when choosing one for a digitisation project. While the focus is mainly on flatbed scanners the document also looks at drum scanners and book scanners.
Read full advice document...Much confusion is caused by the over-use of the generic unit of image resolution 'dpi'. It is always much better to use the correct unit specific to use. This paper looks at the definitions of spi, lpi, ppi as well as the generic dpi.
Read full advice document...This document summarises the main features of uncompressed audio file types, including WAV, AIFF and Broadcast WAV (BWF). It gives an overview of these ‘raw’ formats, and a simple explanation of the common options they will offer the user when creating or working with digital audio. It also looks at lossless compression tools for subsequently reducing the size of these files which will allow reconstruction of their original audio data sonically unaltered. Several sections include links to further resources covering specific relevant topics in more detail, so this is a good place to start if you want to learn more about any of these formats.
Read full advice document...The keen-eyed among you will have already noticed we have just released details of our new training programme for September to December.
Read blog entry...Here’s a nice little promo with a few effects shots that lets you see the Red being used on a real shoot.
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