Scanners and digital cameras are the most commonly used devices for capturing still images; the digital files they create fit seamlessly into the modern workflow. This document looks at scanners and digital cameras and how they can be used to capture non-typical objects. In this document we look at a range of different objects and how we can capture them with a camera or scanner and a few accessories.
Read full advice document...Most modern digital stills cameras have built in flashes, however these do not always produce a pleasing light, have a limited range and the flash can be distracting in some situations. Professional photographers normally like to have complete control over lighting in order to produce the highest quality images. It is however possible to produce high quality images without the cameras built in flash or in situations where you do not have total control over the lighting. Available or ambient light is the light in the scene before the photographer starts work and this FAQ document looks at common problems associated with available light and how to overcome them. You may also be interested in our Light Sources for Still and Moving Images advice document.
Read full advice document...Digital cameras come in a wide range of shapes and sizes, this document details the different technologies used to capture a digital image. This paper also covers the features that a user should consider before choosing a digital camera.
Read full advice document...This is a list of books, papers, magazines, journals, online publications and mailing lists that JISC Digital Media thinks are useful to keep up to date with developments in digital imaging.
Read full advice document...Over recent years the price of digital cameras has tumbled while there has been a corresponding improvement in image quality. Compact digital cameras are compact flexible devices that work well in the modern workflow. This document provides an introduction to the compact camera and how to get the most from it.
Read full advice document...Digital SLR cameras have improved dramatically over recent years, they have also become much cheaper. Consumers can now buy an entry level digital SLR for around the same price as a top of the range compact. This paper explains the difference between a digital compact and digital SLR and shows how to get the most out of this type of camera.
Read full advice document...The Raw file format is the native format offered by most digital SLR cameras. The format can offer greater levels of control over the conversion of capture data to more widely accepted formats such as TIFF or JPEG formats. This document is an introduction to the format and how to make use of it.
Read full advice document...There are many factors that need to be considered before and during a photographic session, this document provides a set of guidelines which will assist in planning a photographic project.
Read full advice document...Frequently asked questions about Model Release.
Read full advice document...The word photography means drawing with light, without light it is impossible to record a video or still image. So lighting whether in a classroom, office or dedicated photographic studio is an essential component in a photograph or video. The captured image is a record of the light that is emitted, reflected or absorbed by the subject. With a basic understanding of light and how it can be modified the photographer or filmmaker should be able to improve the appearance of their images. This document will look at commonly used light sources and how the user can get the most from them.
Read full advice document...One of the easiest ways to improve the quality of still or moving images is by using a support. Supports and stands can reduce or eliminate vibration or movement which otherwise would degrade the quality of the captured media. Supports come in all shapes and sizes: this document looks at a variety of support types including tripods, copy-stands, clamps and brackets as well as improvised solutions.
Read full advice document...Effective colour management is vital within the digital workflow and anyone working with digital images should understand and be employing the core principles. This training course introduces colour management theory and ‘good practice’ to ensure that you understand how to achieve consistent and accurate colour between applications, platforms, and devices.
Read course description...This action packed course looks in depth at using a digital SLR's creative controls to put you in charge of your photography. You will also have plenty of hands-on practice with the camera and be shown how to effectively illuminate 2D and 3D objects using tungsten and fluorescent studio lighting.
Read course description...This entry level course will provide you with an understanding of the techniques and skills needed to produce great quality images from a digital SLR camera with ease. Some illuminating background theory will be supported by hands-on practical exercises in photography.
Read course description...This course looks at the technical background behind, and procedures for, image capture and optimisation delivered through hands-on activities. This workshop will teach you how to produce the correct end product for your intended purpose and teach you the easy 'science' of scanning to remove the guesswork from your image capture.
Read course description...This entry level course provides an easy to understand theoretical overview of digital images and image capture combined with practical exercises using both a scanner and digital SLR camera for those getting started with creating digital images.
Read course description...Being able to manage a digital image workflow is a vital skill for both individuals and institutions in today's market place. This course considers a simple digital photography workflow from the ground up. You will first capture a series of images in raw and then import them into Adobe Photoshop Lightroom 2 - a popular and powerful Image Management System (IMS) and editing tool for photographers. Here you will employ appropriate image editing processes and learn how to successfully leverage the power of an IMS in order to quickly find the images you need. You will then produce content appropriate for onscreen and print use.
This course will also explore the considerable advantages of utilising camera raw/DNG file formats.
Read course description...We have just published a new advice document on scanning and photography.
Read blog entry...Google has acquired Picnik an online photo editing site.
Read blog entry...Local usability consultancy Cx partners have a thought provoking take on the power of photos to enhance your resources.

We have just released a new advice document looking at the different materials used to make film for stills and moving images.
Read blog entry...We have just released two advice documents which cover lighting for stills and video production.
Read blog entry...Photographer James Balog is using over 30 time lapse cameras to document global ice loss caused by climate change.
Read blog entry...The new layout for Flickr search results is now live.
Read blog entry...The keen-eyed among you will have already noticed we have just released details of our new training programme for September to December.
Read blog entry...Ever been shooting still images or video and wondered, “How can I possibly provide a steady support for my camera here?”
Read blog entry...To reflect recent developments in digital camera technology we have updated the Digital Camera paper.
Read blog entry...A great piece of timelapse/tilt-shift video.
Read blog entry...Yesterday lunchtime a few of us got back to basics learning a little more about pinhole photography.
Read blog entry...The French photographer, JR has created a huge photographic installation on the rooftops of houses and on the sides of trains that pass through a large Kenyan slum.
Read blog entry...Do you think that there has been an increase in the amount of legislation introduced which has curbed individual freedom?
Read blog entry...In November, Red Digital Cinema announced their new range of cameras which are expected to be available between this spring and the summer of 2010. “Range of cameras” isn’t quite accurate, as Red have adopted a completely modular approach. It includes two of what Red refers to as Brains, the sensing and capturing core of the system. These are called Scarlet and Epic and are accompanied by an almost mind-boggling list of performance specs.
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