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All advice documents, training courses and blog entries tagged 'hardware'

Still images advice tagged 'hardware'

  • Introduction to digitising bound volumes

    Bound volumes such as books need to be digitised with care to avoid poor quality capture or damage to the book. This document looks at the specific problems posed when capturing bound documents and compares commonly used digitisation devices.

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  • The Book Scanner

    While it is possible to digitise books and bound volumes using scanners or copystands the most efficient and least  harmful device is the dedicated book scanner. For the purpose of this document we have tested a Zeutschel OS1200HQ which scans open books with a total area of A2+ at 400ppi book scanner and compared it to a copystand mounted Nikon D3 camera which captures at 4256 x 2832 pixels camera and an A4 Epson Perfection 4990 flatbed scanner with a maximum resolution of 4800ppi.

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  • Tethered Camera Operation

    As technology has improved digital cameras have become more and more portable. Smaller and more ergonomic cameras have made digital photography more practical - however, there are times when it is preferable to use a more static system with camera and computer connected. This is known as tethered camera operation. This document is aimed at anyone who might need to operate their camera from a distance, in an awkward position or wants to preview the image on a high quality computer screen.

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  • How Do I Digitise Difficult Objects?

    Scanners and digital cameras are the most commonly used devices for capturing still images; the digital files they create fit seamlessly into the modern workflow. This document looks at scanners and digital cameras and how they can be used to capture non-typical objects. In this document we look at a range of different objects and how we can capture them with a camera or scanner and a few accessories.

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  • Still Image Capture: Hardware and Software

    This document is an introduction to digital cameras and scanners and their role in digitisation. This document also looks at the features found in software used to edit images captured by cameras and scanners.

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Moving images advice tagged 'hardware'

Audio advice tagged 'hardware'

Cross-media advice tagged 'hardware'

  • The Video Enabled Digital SLR

    Until very recently if you needed to shoot video you purchased a video camera and if you needed to shoot stills you bought a stills camera. However, over the last couple of years manufacturers have started to release stills SLR cameras that can also capture video. With many of the middle and higher range camera models now offering video capture we should look at this new feature and try to identify its strengths and weaknesses. This document is aimed at anyone who has or is about to purchase an SLR camera and needs to know if the video option is of use to them.

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  • Light Sources for Still and Moving Images

    The word photography means drawing with light, without light it is impossible to record a video or still image. So lighting whether in a classroom, office or dedicated photographic studio is an essential component in a photograph or video. The captured image is a record of the light that is emitted, reflected or absorbed by the subject. With a basic understanding of light and how it can be modified the photographer or filmmaker should be able to improve the appearance of their images. This document will look at commonly used light sources and how the user can get the most from them.

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  • Stands and Supports for Still and Moving Images

    One of the easiest ways to improve the quality of still or moving images is by using a support. Supports and stands can reduce or eliminate vibration or movement which otherwise would degrade the quality of the captured media. Supports come in all shapes and sizes: this document looks at a variety of support types including tripods, copy-stands, clamps and brackets as well as improvised solutions.

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  • Audiovisual Signal Types and Interconnects

    Over the decades various technical standards have been adopted for analogue and then for digital video and audio. As the popularity of systems declined they were generally replaced by improved technologies, making many system configurations entirely obsolete. Obsolete interconnects can be difficult to use in conjunction with modern equipment.

    This paper looks at the nature of audio and video signals and then surveys significant historical interconnects (such as RCA) and contemporary, digital equivalents (such as SDI and SPDIF).

    Any method of transferring digital data, such as USB (Universal Serial Bus) can potentially be used to transfer digital audiovisual files, but such technologies are not primarily associated with audio video signal data and so are not discussed here.

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Training courses tagged

  • BTEC Professional Certificate in Digital Imaging: 3 days

    The following units are the BTEC accredited assessment components of our still image professional development certificate and award.

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  • Video Production 1: Lectures and Interviews 2-day course

    The use of video in education has ceased to be an occasional occurrence, but the quality of videos has not kept pace with their popularity. This course is intended to instil basic competence in the many areas of knowledge that are needed to produce good video work. A hands-on approach is taken, such that during the two days of learning about video techniques the participants will actually produce two short videos. All equipment and facilities will be supplied.

    PLEASE NOTE: This is a two-day course. Course fees are as follows:

    • £275 for participants from UK Higher or Further Education
    • £325 for participants from government, charities, libraries, galleries or museums
    • Prices for all other participants are available on request
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  • JISC Advance - Digital Media and Copyright Seminar

    Bringing together experts in digital media and copyright law this seminar created by the JISC Advance services, JISC Digital Media and JISC Legal, uses common real-world scenarios to focus on how copyright impacts on the use of digital media. The seminar will allow participants to gain an understanding of the common issues and challenges facing institutions in the current copyright landscape.

    Seminar fees: £100 per participant. Includes lunch and refreshments. There will be a pre-seminar online exercise attendees are requested to complete. This is merely to provide some background knowledge prior to the seminar.

    Objectives

    • To increase confidence in dealing with multi-layer intellectual property rights in digital media
    • To identify appropriate approaches to dealing with the uncertainties of copyright law in relation to digital media
    • To share experiences of both issues and solutions to IPR challenges in relation to digital media
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  • Building Effective Screencasts

    Screencasts - videos of on-screen computer activity, accompanied by voice-over, and possibly other media (webcam video, Powerpoint slides etc) - have in recent times increased massively in popularity, scope and acceptance, and can now provide a sophisticated learning experience, incorporating slides, images, video, audio, screen annotation, subtitles, interactive quizzes and more.. Whether you want to narrate a presentation, demonstrate the use of software, or record and share your screen for any other reason, a screencast may well be the answer.

    This practical one-day workshop provides an opportunity to learn how to maximise the value of screencasting in presentation, demonstration and digital storytelling for teaching and learning, in the context of the whole workflow from planning your own short screencast to rendering it as a video. We've even had some delegates posting finished screencasts to YouTube by the end of the day!

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  • Digital Media Restoration (Audio-Visual only)

    Analogue media deteriorates at an alarming rate and few digitisation projects can hope to retrieve great signals from aged collections. In order to archive maximum usefulness some basic digital remastering is often required. Fortunately, today's digital tools mean we can easily remove unwanted 'defects' whether hisses and scratches from shellac discs or the distorted colours of old videotapes

    N.B. This course covers digital restoration of audio-visual resources only. It does not cover restoration of still images

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  • Advanced Techniques in Digital Image Capture

    This course looks at the technical background behind, and procedures for, image capture and optimisation delivered through hands-on activities. This workshop will teach you how to produce the correct end product for your intended purpose and teach you the easy 'science' of scanning to remove the guesswork from your image capture.

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  • Digital Photography - Taking Control of your SLR

    This action packed course looks in depth at using a digital SLR's creative controls to put you in charge of your photography. You will also have plenty of hands-on practice with the camera and be shown how to effectively illuminate 2D and 3D objects using tungsten and fluorescent studio lighting.

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  • Digital Photography - Getting Started with your SLR

    This entry level course will provide you with an understanding of the techniques and skills needed to produce great quality images from a digital SLR camera with ease. Some illuminating background theory will be supported by hands-on practical exercises in photography.

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  • Colour Management

    Effective colour management is vital within the digital workflow and anyone working with digital images should understand and be employing the core principles. This training course introduces colour management theory and 'good practice' to ensure that you understand how to achieve consistent and accurate colour between applications, platforms, and devices.

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  • Audio Production: Recording Lectures, Seminars, Interviews and Podcasts

    This course will provide you with the knowledge and skills to record and produce recordings of spoken word audio, with specific emphasis being placed upon the recording of lectures, seminars and events. You will learn the basic concepts of recording technologies and through practical exercises you will learn how to confidently apply these to practical situations. The workshop will also introduce you to ideas for delivering new media such as podcasting, and suggest methods for managing your digital recordings.

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  • Introduction to Image Metadata

    This course is designed specifically to help you consider how to effectively incorporate metadata into the fabric of your image collection, through explanation, discussion and practical activities.

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  • Digitising Analogue Video Recordings

    Over the past fifty years the videotape has grown from an obscure television production tool into a vibrant and vital social document. But videotape has proved to be a fragile long-term medium and its contents are at risk. This risk can only be mitigated through careful planning. This workshop will investigate the challenges associated with the preservation of videotapes. Through practical exercises, we will look at how digitising materials to archival standards can both safeguard and help develop a collection. We will also look at the challenge of creating a sustainable digital collection. Quality assurance procedures and best practice will be referred to throughout.

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  • Essential Techniques in Digital Image Capture

    This entry level course provides an easy to understand theoretical overview of digital images and image capture combined with practical exercises using both a scanner and digital SLR camera for those getting started with creating digital images.

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  • Using Digital Media in VLEs

    This one day workshop focuses on the effective use of digital media online including the Virtual Learning Environment (VLE). During the workshop attendees will discover how to improve their presentation resources, know when and how digital media can be used to enhance learning materials and be able to successfully embed their new knowledge in their VLE and online services.

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  • Finding Free-to-Use Images, Video and Audio

    If you've ever needed to find images, video or audio you can use in your work materials then this course is for you. It will guide you to all the best places to locate free-to-use, copyright-cleared digital media resources for use in teaching and learning. You'll never use Google to find digital media again!

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  • Essential Photoshop Skills

    This course will get you up and running with Adobe Photoshop. You will learn key concepts and skills to enable you to understand and start using this exciting application with confidence.

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  • Managing Digital Media Collections

    Now that many important materials are in a digital form, building an accessible online media collection which successfully delivers images, sounds, video and other media is a goal of many institutions.

    Until recently, expensive Digital Asset Management systems where the most viable option, but now open source server applications such as Dspace, Omeka and Drupal hold the promise of truly interoperable and standards-based collection management.

    This one day course will offer a model of digital collection management, based upon open source solutions. Attendees will gain hands-on experience of planning, building, managing and delivering a digital media collection.

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  • Image Optimisation for Print and Web

    This course covers the essential skills you need in order to maximise the quality and visual appeal of digital images from both scanners and digital cameras. You will learn the tips and tricks necessary to transform your images quickly and easily.

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  • Building a Departmental Image Collection

    This course will provide you with a hands-on experience of creating, managing and delivering a departmental image collection. You will acquire the foundation knowledge required to make well informed decisions about building an image library. You will also have the opportunity to discuss and share information with people from the HE/FE/Cultural sector facing similar issues in order to help you develop practical solutions.

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  • Copyright and Digital Media

    This informative and stimulating course is run by a leading expert in copyright. It looks in-depth at how copyright and other legal issues impact upon digital media and it will enable you to develop practical approaches to clearing and managing those rights within your own collections.

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  • Digitising Analogue Audio

    To meet the skills required by libraries, archives and institutions to digitise their existing analogue collections, this course aims to provide a complete introduction to the theory and practicalities of successfully digitising analogue audio resources. The workshop will provide hands-on tuition alongside presenting theoretical knowledge with group discussions of topics surrounding the digital lifecycle, in a digitisation project based context. The workshop has been designed as a precursor for our more technical, media specific training modules. The practical elements will involve digitising audiocassette tapes as example media.

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  • Scanning with the CLA Licence

    This course provides a thorough practical overview of how to digitise images and text from print-based materials. You will use a desktop scanner and related technology to effectively enable you to leverage the rights granted to you by the Copyright Licensing Agency (CLA) scanning licence.

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  • Digitising Grooved Discs and Open Reel Audio

    This course is designed to meet the requirements of staff in libraries, archives and other related institutions needing to digitise existing analogue collections. The course builds on our Digitising Analogue Audio workshop, by introducing a range of legacy audio media and examining them in more detail.

    The workshop will provide the opportunity to both handle these media and configure the equipment needed for their successful playback. A recommended, pragmatic workflow will be followed.

    Essential theoretical and interesting historical information is included which together contribute to understanding: the development of audio recording technologies; how to handle and best reproduce each medium; how to digitise each medium to archival standard.

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Blog entries tagged 'hardware'