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All advice documents, training courses and blog entries tagged 'digitisation'

Still images advice tagged 'digitisation'

  • How Do I Digitise Difficult Objects?

    Scanners and digital cameras are the most commonly used devices for capturing still images; the digital files they create fit seamlessly into the modern workflow. This document looks at scanners and digital cameras and how they can be used to capture non-typical objects. In this document we look at a range of different objects and how we can capture them with a camera or scanner and a few accessories.

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  • Taking Pictures under Available Light

    Most modern digital stills cameras have built in flashes, however these do not always produce a pleasing light, have a limited range and the flash can be distracting in some situations. Professional photographers normally like to have complete control over lighting in order to produce the highest quality images. It is however possible to produce high quality images without the cameras built in flash or in situations where you do not have total control over the lighting. Available or ambient light is the light in the scene before the photographer starts work and this FAQ document looks at common problems associated with available light and how to overcome them. You may also be interested in our Light Sources for Still and Moving Images advice document.

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  • Approaches to Describing Images

    The following paper seeks to provide background to some methods for describing images that may be deployed by those building shared image collections. While the emphasis is on describing digital still images, those developing collections in other multimedia formats - particularly video - may find some of the methods and research outlined here applicable.

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  • Resampling Raster Images

    This document uses images to illustrate how different resampling methods will affect the appearance of the resized image. The most suitable method varies according to the type of image being resampled, this paper helps to guide the user to the appropriate resampling method for their images.

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  • Still Image Capture: Hardware and Software

    This document is an introduction to digital cameras and scanners and their role in digitisation. This document also looks at the features found in software used to edit images captured by cameras and scanners.

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  • Useful Books, Magazines and Online Publications for Digital Imaging

    This is a list of books, papers, magazines, journals, online publications and mailing lists that JISC Digital Media thinks are useful to keep up to date with developments in digital imaging.

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  • Generic Image Digitisation Workflow: Text Version of Diagram

    This is a text version of the workflow diagram in the advice document: Generic Image Workflow.

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  • Generic Image Digitisation Workflow

    This document reviews the general concepts of 'best practice' within an image digitisation workflow and then looks at how these concepts can be mapped onto the workflow, to allow the efficient production of all required deliverables.

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  • Case Study: University of Bristol Theatre Collection

    How the collection digitised its documents and photographs.

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  • Converting your Slides into Digital Images

    The 35mm slide has long played a key role for delivering images in the teaching and learning environment. However, recent improvements in capture and delivery technology have seen digital images virtually replace analogue media. Many slide collections now have to be converted to a format which can more easily be incorporated into the modern workflow. This document explains the process of converting analogue slides into digital images and preparing  them for delivery.

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  • Setting up a Workspace for Digitising Images

    In planning a digitisation project, one of the major considerations will be where you decide to do the digitising and how to make best use of the workspace. Ensuring the area is designed and set up correctly will not only help establish a smooth and effective workflow, but will also make sure the project personnel involved are at their happiest and therefore at their most productive. This document looks at the main issues to be considered when planning and setting up a workspace for digital imaging.

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  • Case Study: History of Art, University College Cork

    This short case study looks at how the newly established History of Art department at University College Cork went about building a collection of images to support its teaching. Although it would have preferred to create an all-digital collection, the constraints of time, money and copyright led the department to take a hybrid approach, using a mix of formats, drawn from several different sources.

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  • Digitising Microfiche and Microfilm

    A microfiche is a very compact analogue storage media. A single 6" x 4" polyester microfiche can store all the pages of an average book.

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  • Case Study: Staffordshire Past Track

    Staffordshire Past Track is a web-based multimedia archive related to the history and cultural heritage of Staffordshire. The bulk of the collection is comprised of photographic or printed images from the past 150 years. Noteworthy features of the Past Track project are its bespoke content management system and a user interface that provides, among other functions, map-based searching, an image zoom facility, and user-annotated albums.

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Moving images advice tagged 'digitisation'

  • Choosing a Digital Video File Type

    Choosing a file format can prove overwhelming for someone new to the world of digital video. The aims of this document are to discuss some of the key factors that should be considered before selecting a file format and to suggest suitable choices for specific applications

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  • Selecting a Video Digitisation System

    This document looks at a number of configurations of equipment which can be used to digitise analogue videotapes. This document is intended to be of use to staff engaged in the digitisation of analogue video, whether dealing with only a few or a few hundred tapes.

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  • Planning a Video Digitisation Project

    The digitisation of an existing video collection has many potential benefits; newly digitised materials offer opportunities to reach new users and to engage with new and existing users in new ways. Digitisation may also prove to be the only viable way to make our vulnerable video materials available to generations of future users. The complexities of achieving a successfully digitised and fully accessible video collection can be considerable but through careful preparation, the task can be broken down into manageable stages.

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  • Generic Video Digitisation Workflow

    This introductory document is aimed at smaller video archives or paper-based collections which have a video element. This document may also prove beneficial to specially funded video digitisation projects. We shall look at ways in which best practice can be observed and incorporated into each stage of even the smallest video digitisation project, from selecting an initial digital format to delivery.

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  • Equipping a Video Digitisation System

    This document describes the configuration of a system which is intended to be used for the digitisation of analogue videotape to a computer hard drive. This document is intended to be of use to staff engaged in the digitisation of analogue video, whether dealing with only a few or a few hundred tapes.
    The advice document Selecting a Video Digitisation System provides an overview of alternative types of equipment configurations.

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Audio advice tagged 'digitisation'

Cross-media advice tagged 'digitisation'

  • Analogue Film Types Used for Still and Moving images

    This document looks at the history of photographic and movie film and how and why the film type has altered over time. The document also contains some frequently asked questions on film types and handling.

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  • Light Sources for Still and Moving Images

    The word photography means drawing with light, without light it is impossible to record a video or still image. So lighting whether in a classroom, office or dedicated photographic studio is an essential component in a photograph or video. The captured image is a record of the light that is emitted, reflected or absorbed by the subject. With a basic understanding of light and how it can be modified the photographer or filmmaker should be able to improve the appearance of their images. This document will look at commonly used light sources and how the user can get the most from them.

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  • Digitisation Services

    JISC Digital Media contacted a number of digitisation service providers for more information about the services they supply. The following list is not an endorsement of any of the services, but is provided to help you identify services to evaluate in more detail.

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  • Systems for Managing Digital Media Collections

    Everyone's collection and context is unique, so your choice of a system (or systems) for managing your digital media will require a careful assessment of your needs and resources and an evaluation of the available options. This paper provides an overview of a number of different approaches to media management: from some very cheap and 'low-tech' approaches to much more complex and specialised solutions.

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  • Audiovisual Signal Types and Interconnects

    Over the decades various technical standards have been adopted for analogue and then for digital video and audio. As the popularity of systems declined they were generally replaced by improved technologies, making many system configurations entirely obsolete. Obsolete interconnects can be difficult to use in conjunction with modern equipment.

    This paper looks at the nature of audio and video signals and then surveys significant historical interconnects (such as RCA) and contemporary, digital equivalents (such as SDI and SPDIF).

    Any method of transferring digital data, such as USB (Universal Serial Bus) can potentially be used to transfer digital audiovisual files, but such technologies are not primarily associated with audio video signal data and so are not discussed here.

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  • Overview of JISC Digital Media Materials for Digitisation Project Staff

    This guide provides an overview of the JISC Digital Media website materials we think digitisation project staff will find useful during the lifetime of a digitisation project.

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  • Links to Digital Media and Digital Preservation Organisations

    The list below survey a selection of audiovisual and digital preservation related organisations and provides links to their websites.

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  • Budgeting for a Digitisation Project

    It is not possible to provide detailed information on budgeting for a digitisation project; these costs will depend on the nature, condition and amount of analogue materials to be digitised and the extent and accuracy of existing metadata. However, some general advice which assigns comparative values to different activities within a project may help when planning a digitisation project.

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  • Audio/Video Production: Recording Lectures, Seminars and Events

    The principles and practice of location recording of sound and video for educational use.

    In this paper we discuss requirements and issues to consider when recording events. We look at both sound-only and combined sound-and-vision recording. The discussion focuses on considerations applicable to any scenario the reader may encounter; for issues specific to different types of event the reader is directed to the appropriate Basic Guide.

    We conclude with some example scenarios.

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  • Learning Lessons from Other Digitisation Projects

    This document proposes a number of potential challenges associated with the digitisation of a collection. It then examines the value of lessons learned from previous projects when attempting to meet those challenges. It is intended to be of use to resource management staff considering the digitisation of all or part of their collection.

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  • Project Management for a Digitisation Project

    This paper takes a look at the role and responsibilities of the digitisation project manager. It addresses common managerial challenges such balancing the expectations of stakeholders and ensuring the of quality of output. It is intended to be of use to the management team of time limited digitisation projects or to resource management staff planning to digitise their collection.

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  • Digitisation Staff Training

    This paper takes a general looks at the staffing issues related to a digitisation project from a management perspective. It is intended to be of use to resource management staff considering the digitisation of all or part of their collection.

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  • Deciding to Digitise

    This brief document takes an introductory view of pre-digitisation project considerations. It is intended to be of use to resource management staff considering the digitisation of all or part of their collection.

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  • Risk Assessment for Digitisation Projects

    This paper identifies some of the more common risks associated with a digitisation project. It is intended to be of use to the management team of time limited digitisation projects or to permanent collection management staff planning to digitise.

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  • Quality Assurance and Digitisation Projects

    This document examines issues relating to quality assurance from a project management perspective. It proposes a four-layer model for assuring quality and looks at some of the more common reasons for problems with output quality. This document is intended to be used by collection managers intending to digitise their resources or by managers of digitisation projects.

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  • To Outsource or to Digitise In-house?

    This document is intended to inform the managers of analogue collections which have been identified for digitisation. It looks at the pros and cons of outsourcing digitisation work before contrasting these with carrying out work in-house.

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  • Selection Procedures: Text Version of Decision Tree Diagram

    This is a text version of the 'Decision tree (simplified)' diagram in the Selection Procedures for Digitisation document.

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  • Selection Procedures for Digitisation

    This document looks at points to consider when developing a selection criteria for digitisation. Some of the points made here will not be relevant to all projects and collections, but the document has been designed to serve as a useful overview and to stimulate some further thinking and research. It is intended to be of use to resource managers who intend to digitise all or part of their collection.

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  • Sustainability of Digital Collections

    Once funding for a digitisation project comes to an end, how will you ensure the long term sustainability of your newly-created collection? This is a fundamental question that needs to be addressed at the outset of the project. This document looks at different approaches to sustainability and discusses the factors you need to take into consideration when planning for sustainability. We will highlight the practical steps a project can take and examine various options for financing the ongoing maintenance and availability of the collection beyond the life of the project.

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Training courses tagged 'digitisation'

  • Digitising Grooved Discs and Open Reel Audio

    This course is designed to meet the requirements of staff in libraries, archives and other related institutions needing to digitise existing analogue collections.  The course builds on our Digitising Analogue Audio workshop, by introducing a range of legacy audio media and examining them in more detail.

    The workshop will provide the opportunity to both handle these media and configure the equipment needed for their successful playback.  A recommended, pragmatic workflow will be followed.

    Essential theoretical and interesting historical information is included which together contribute to understanding: the development of audio recording technologies; how to handle and best reproduce each medium; how to digitise each medium to archival standard.

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  • Digitising Analogue Video Recordings

    Over the past fifty years the videotape has grown from an obscure television production tool into a vibrant and vital social document. But videotape has proved to be a fragile long-term medium and its contents are at risk. This risk can only be mitigated through careful planning. This workshop will investigate the challenges associated with the preservation of videotapes. Through practical exercises, we will look at how digitising materials to archival standards can both safeguard and help develop a collection. We will also look at the challenge of creating a sustainable digital collection. Quality assurance procedures and best practice will be referred to throughout.

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  • Advanced Techniques in Digital Image Capture

    This course looks at the technical background behind, and procedures for, image capture and optimisation delivered through hands-on activities. This workshop will teach you how to produce the correct end product for your intended purpose and teach you the easy 'science' of scanning to remove the guesswork from your image capture.

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  • Essential Techniques in Digital Image Capture

    This entry level course provides an easy to understand theoretical overview of digital images and image capture combined with practical exercises using both a scanner and digital SLR camera for those getting started with creating digital images.

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  • Digitising Analogue Audio

    To meet the skills required by libraries, archives and institutions to digitise their existing analogue collections, this course aims to provide a complete introduction to the theory and practicalities of successfully digitising analogue audio resources. The workshop will provide hands-on tuition alongside presenting theoretical knowledge with group discussions of topics surrounding the digital lifecycle, in a digitisation project based context. The workshop has been designed as a precursor for our more technical, media specific training modules. The practical elements will involve digitising audiocassette tapes as example media.

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  • Digital Media Restoration

    Analogue media deteriorates at an alarming rate and few digitisation projects can hope to retrieve great signals from aged collections. In order to archive maximum usefulness some basic digital remastering is often required. Fortunately, today's digital tools mean we can easily remove unwanted 'defects' whether hisses and scratches from shellac discs or the distorted colours of old videotapes

    n.b. This course covers digital restoration of audio-visual resources only. It does not cover restoration of still images

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Blog entries tagged 'digitisation'

Training courses