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All advice documents, training courses and blog entries tagged 'audio editing'

Moving images advice tagged 'audio editing'

Audio advice tagged 'audio editing'

  • Audio Post-Production Techniques for Spoken Word

    This paper is aimed at those with a low level of confidence in working with digital audio. Whereas some basic knowledge and experience is expected, the techniques and concepts adopted herein are presented for the novice. This paper intends to provide an introduction to some of the main considerations when producing digital audio after the recording stage of a spoken word project. Post-production offers a huge expanse of technical and creative capabilities where the spoken word can be fine-tuned to sound crisp and clear, blended with music, or made to sound as if it were recorded in a different physical space. This paper aims to provide simple, practical solutions to common problems faced when working with spoken word, as well as tips to enhance recordings and help you achieve the best possible result.

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  • Free Online Audio Editors

    There is a wide range of both free and commercial software which you can install onto your computer to record and edit digital audio, whether for podcast or music production. But what if you don’t have the ability to install software on your machine, or it isn’t powerful or fast enough for the task, or there isn’t enough space, or if you simply don’t want to?

    For simple audio editing and processing tasks there are now a few versatile audio tools which you can access online via their providers’ websites, and which run on remote servers while you remotely operate their interface through your familiar web browser, and stream audio to and from them via the internet.

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  • Creating an Audio Ident

    This paper discusses some of the design considerations and practicalities when using and/or creating idents for audio resources. The paper is divided into two halves - the first offers an overview of audio idents, discussing areas including when idents can be effective, and the types of sounds that can be used in idents. The second provides a how-to guide on constructing and adding idents to existing spoken word recordings using the software Audacity.

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  • Uncompressed Audio File Formats

    This document summarises the main features of uncompressed audio file types, including WAV, AIFF and Broadcast WAV (BWF). It gives an overview of these ‘raw’ formats, and a simple explanation of the common options they will offer the user when creating or working with digital audio. It also looks at lossless compression tools for subsequently reducing the size of these files which will allow reconstruction of their original audio data sonically unaltered. Several sections include links to further resources covering specific relevant topics in more detail, so this is a good place to start if you want to learn more about any of these formats.

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  • User Guide to MP3

    A guide to the creation, manipulation and use of audio flies in the popular MP3 format, including a close look at the many audio and metadata options which MP3 offers, and its use within teaching and learning.

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  • Audio Processing - Dynamics and Compression

    How compression and other forms of dynamics processing work, and how they can be used to improve the impact, clarity and subjective quality of your recordings.

    [Note: In the context of audio signal processing, ‘compression’ has a completely different connotation to ‘compression’ when used to describe file compression in the computer domain. Though they share the same term the two are entirely unrelated, and should not be confused!]

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  • Creating an Audio Podcast

    An introductory guide to recording an audio podcast on a computer with a microphone and free open-source software.

    This advice document will help users with little or no experience of recording audio to record their voice onto their computer using free software and simple peripherals. It then covers basic processing and editing of their recording and mastering it to a final format - in this case MP3. Simple instructions are then given for delivering this recording as a podcast through an institution’s VLE and for archiving projects.

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  • Basic Audio Mixing

    This paper offers an introduction to the basic principles of audio mixing within digital audio software

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  • Working with Digital Audio Files

    In the physical world we learn how to interpret sounds through hearing and perception. In the digital realm sound waves are traditionally represented in graphical form. This document introduces some of the precepts helpful when beginning to work with digital audio in audio software packages.

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  • An Introduction to Using Digital Audio Software

    This document provides some background information regarding digital audio production software and discusses some important precepts and explains some common terminology unique to digital audio software.

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  • Choosing your Digital Audio Software

    It can be a difficult task to choose the right audio software for your specific project, especially if you are new to the world of digital audio. This paper discusses some of the key factors to consider when choosing audio software and provides a comparison guide to some of the most popular packages.

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  • Digital Equalisation

    An introduction to the most common types of equaliser available within software, and equivalent purpose-built hardware units, suitable for live sound reinforcement, recording and mixing.

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  • Basic Audio Editing

    This document addresses some basic techniques used when editing digital audio within a DAE (Digital Audio Editor). It assumes little or no previous knowledge and experience of audio editing and offers advice on how and when to use common tools within the editing environment

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Training courses tagged 'audio editing'

  • Digitising Analogue Audio

    To meet the skills required by libraries, archives and institutions to digitise their existing analogue collections, this course aims to provide a complete introduction to the theory and practicalities of successfully digitising analogue audio resources. The workshop will provide hands-on tuition alongside presenting theoretical knowledge with group discussions of topics surrounding the digital lifecycle, in a digitisation project based context. The workshop has been designed as a precursor for our more technical, media specific training modules. The practical elements will involve digitising audiocassette tapes as example media.

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  • Audio Production: Recording Lectures, Seminars, Interviews and Podcasts

    This course will provide you with the knowledge and skills to record and produce recordings of spoken word audio, with specific emphasis being placed upon the recording of lectures, seminars and events. You will learn the basic concepts of recording technologies and through practical exercises you will learn how to confidently apply these to practical situations. The workshop will also introduce you to ideas for delivering new media such as podcasting, and suggest methods for managing your digital recordings.

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Blog entries tagged 'audio editing'