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All advice documents, training courses and blog entries tagged 'audio'

Audio advice tagged 'audio'

  • Audio Digitisation Services

    JISC Digital Media contacted a number of digitisation service providers for more information about the services they supply. The following list is not an endorsement of any of the services, but is provided to help you identify services to evaluate in more detail.

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  • Recording Audio Voiceovers for Teaching and Learning Materials

    This paper introduces the concept of voiceover for media resources and provides information and links to technical resources to help in creating voiceover resources.

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  • USB Microphone Guide

    Everything you need to know about choosing and using a USB microphone for voice recording and communication.

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  • Portable Digital Audio Recorders

    A guide to choosing and using a portable digital audio recorder, covering everything from digital dictaphones to professional field recorders. If you need a self-contained device for recording audio on location, audio note taking, or for any other scenario where recording with a computer is impractical or inconvenient, this document examines the alternatives.

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  • Audio Feedback - A How-To Guide

    This document provides a simple step-by-step guide to creating and embedding audio feedback using Microsoft Word 2000 and 2007, the most common format for student text works. There is also a mention of embedding audio in PDFs, which is discussed at the end of this document, with a link to the appropriate Adobe online resource.

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  • Audio Feedback

    This paper presents an introduction to audio feedback as a tool in teaching and learning in FE/HE. Drawing on previous research and case studies in the field, this paper discusses models of audio feedback and the potential of using audio over other methods of delivering feedback, as well as any notable drawbacks.

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  • Audio Post-Production Techniques for Spoken Word

    This paper is aimed at those with a low level of confidence in working with digital audio. Whereas some basic knowledge and experience is expected, the techniques and concepts adopted herein are presented for the novice. This paper intends to provide an introduction to some of the main considerations when producing digital audio after the recording stage of a spoken word project. Post-production offers a huge expanse of technical and creative capabilities where the spoken word can be fine-tuned to sound crisp and clear, blended with music, or made to sound as if it were recorded in a different physical space. This paper aims to provide simple, practical solutions to common problems faced when working with spoken word, as well as tips to enhance recordings and help you achieve the best possible result.

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  • Free Online Audio Editors

    There is a wide range of both free and commercial software which you can install onto your computer to record and edit digital audio, whether for podcast or music production. But what if you don't have the ability to install software on your machine, or it isn't powerful or fast enough for the task, or there isn't enough space, or if you simply don't want to?

    For simple audio editing and processing tasks there are now a few versatile audio tools which you can access online via their providers' websites, and which run on remote servers while you remotely operate their interface through your familiar web browser, and stream audio to and from them via the internet.

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  • Headphone Guide

    A guide to the types of headphones available for various listening tasks, their features, strengths, weaknesses and relative merits. This guide is intended to help users choose the best type of headphones for their needs.

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  • Creating an Audio Ident

    This paper discusses some of the design considerations and practicalities when using and/or creating idents for audio resources. The paper is divided into two halves - the first offers an overview of audio idents, discussing areas including when idents can be effective, and the types of sounds that can be used in idents. The second provides a how-to guide on constructing and adding idents to existing spoken word recordings using the software Audacity.

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  • AAC Audio and the MP4 Media Format

    A guide to the creation and use of AAC compressed audio resources. AAC is the successor to the popular MP3 format, and this document explains its advantages over MP3, as well as its place within the wider MPEG-4 media family.

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  • Uncompressed Audio File Formats

    This document summarises the main features of uncompressed audio file types, including WAV, AIFF and Broadcast WAV (BWF). It gives an overview of these 'raw' formats, and a simple explanation of the common options they will offer the user when creating or working with digital audio. It also looks at lossless compression tools for subsequently reducing the size of these files which will allow reconstruction of their original audio data sonically unaltered. Several sections include links to further resources covering specific relevant topics in more detail, so this is a good place to start if you want to learn more about any of these formats.

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  • User Guide to MP3

    A guide to the creation, manipulation and use of audio flies in the popular MP3 format, including a close look at the many audio and metadata options which MP3 offers, and its use within teaching and learning.

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  • Metadata and Audio Resources

    Working with metadata can be a very time-consuming and resource heavy activity, so it is important to have a firm understanding of your objectives before initial decisions are made. Before reading this advice document, it is worth familiarising yourself with the document An Introduction to Metadata.

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  • Acoustic Treatment

    An illustrated introductory guide to the various methods of acoustic treatment for improving room acoustics and reducing sound transmission, and some simple methods for identifying acoustic problems.

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  • Choosing an Audio Interface - Unit Specifications

    A comparison of the features and specifications of some popular and suggested audio interfaces.

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  • Choosing an Audio Interface - Technical Considerations

    Explanation of the various specifications quoted for computer audio interfaces, and their relevance to functionality and sound quality.

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  • Choosing an Audio Interface - Project Requirements

    The implications of different types of audio and video project for your choice of audio computer interface.

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  • Audio Processing - Dynamics and Compression

    How compression and other forms of dynamics processing work, and how they can be used to improve the impact, clarity and subjective quality of your recordings.

    [Note: In the context of audio signal processing, 'compression' has a completely different connotation to 'compression' when used to describe file compression in the computer domain. Though they share the same term the two are entirely unrelated, and should not be confused!]

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  • Using a Mobile Phone as an Audio Recorder

    Examining the potential uses of mobile phones and other mobile devices as simple voice recording and audio blogging tools.

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  • Recording Skype Calls

    This is a simple step-by-step ‘how to' guide to recording Skype phone calls. Skype is a free VOIP (Voice Over Internet Protocol) software tool which allows free calls to be made over the internet. This guide assumes that you already have Skype installed and running on your computer and that your speakers/headphones and microphone are already configured to make and receive calls via Skype.

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  • Recording Telephone Conversations

    Guidance on the principle, ethics and practice of recording telephone conversations for Remote Interviews and Oral History.

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  • Setting up an Audio Workspace

    A guide to some of the considerations when installing a Digital Audio Workstation, and preparing and optimising the space for recording and listening.

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  • Creating an Audio Podcast

    An introductory guide to recording an audio podcast on a computer with a microphone and free open-source software.

    This advice document will help users with little or no experience of recording audio to record their voice onto their computer using free software and simple peripherals. It then covers basic processing and editing of their recording and mastering it to a final format - in this case MP3. Simple instructions are then given for delivering this recording as a podcast through an institution's VLE and for archiving projects.

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  • The Digital Audio Software Environment

    At first glance the interface of your digital audio software (DAS) can be somewhat intimidating. This document breaks down the main components of the software environment and introduce you to their functions and features.

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  • Basic Audio Mixing

    This paper offers an introduction to the basic principles of audio mixing within digital audio software.

    The principles of mono and stereo audio are summarised in this short screencast.

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  • Audio Digitisation Workflow

    This paper discusses the considerations needed when planning a workflow for digitisation. It outlines some of the preparation needed when creating a workflow and precepts that need to be incorporated. The paper then offers an example generic workflow for digitising open-reel audiotapes onto a computer hard drive system.

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  • Working with Digital Audio Files

    In the physical world we learn how to interpret sounds through hearing and perception. In the digital realm sound waves are traditionally represented in graphical form. This document introduces some of the precepts helpful when beginning to work with digital audio in audio software packages.

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  • An Introduction to Using Digital Audio Software

    This document provides some background information regarding digital audio production software and discusses some important precepts and explains some common terminology unique to digital audio software.

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  • Choosing your Digital Audio Software

    It can be a difficult task to choose the right audio software for your specific project, especially if you are new to the world of digital audio. This paper discusses some of the key factors to consider when choosing audio software and provides a comparison guide to some of the most popular packages.

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  • Choosing a Digital Audio File Format

    The choice of file formats can often prove overwhelming for someone new to the world of digital audio. The aim of this document is to discuss some of the key factors that should be considered before choosing a format and suggest suitable file formats for specific applications.

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  • Equipping an Audio Digitisation System

    This document aims to provide information needed when equipping an audio digitisation project of analogue media to a digital hard drive. This document is written with the digitisation of stereo and mono files in mind. For information regarding digitising multi-track recordings, there is a section at the end of this document with some recommendations and considerations. This document is intended to provide a guide to staff who wish to undertake digitisation projects of any scale, be it small or large.

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  • Audio via Blackboard

    An overview of using Audio in Teaching and Learning, and an introductory guide to the facilities of Blackboard VLE for supporting audio-enriched content and communication.

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  • Selecting an Audio Digitisation System

    This document is a discussion of some of the primary audio digitisation systems available for digitising analogue audio media. This document is intended to be of use to staff engaged in the digitisation of analogue audio, whether dealing with only a few or a few hundred tapes.

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  • Case Study: Good Newts / Bad Newts

    A representative scenario, designed to help address common areas of interest regarding the audio and screen capture of PowerPoint presentations in lecture theatres.

    Presented to us as a fictional scenario, designed to incorporate typical real-world issues and key areas of interest.

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  • Audio Troubleshooting Guide

    A step-by-step guide to diagnosing and rectifying some common technical problems encountered when preparing a recording system

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  • Stereo Recording Techniques

    A more advanced guide to various stereo microphone techniques.

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  • Microphone Technique

    A guide to using microphones in some of their common applications in recording. Covers good practice in setting up and connecting microphones, and includes tips on getting the best from your equipment and subject.

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  • The Physical Principles of Sound

    An introductory guide to the physical properties of sound and a basic introduction to the acoustics of enclosed spaces.

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  • Digital Equalisation

    An introduction to the most common types of equaliser available within software, and equivalent purpose-built hardware units, suitable for live sound reinforcement, recording and mixing.

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  • An Introduction to Digital Audio

    A guide to the theory of digital audio, explaining the process of analogue to digital conversion and how sound is represented and stored in digital form.

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  • Microphone Guide

    A guide to microphone characteristics, selection and care

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  • Basic Audio Editing

    This document addresses some basic techniques used when editing digital audio within a DAE (Digital Audio Editor). It assumes little or no previous knowledge and experience of audio editing and offers advice on how and when to use common tools within the editing environment

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  • Review of Audio Search Engines

    This paper forms part of a series of JISC Digital Media review papers which look at how a range of resources can be found on the Web using search engines. In particular, this paper will look at how search engines can be used to locate audio files.

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Cross-media advice tagged 'audio'

  • Preparing for an Interview

    Aside from correctly addressing the technical concerns when conducting an interview, the success of a good interview also relies heavily on the interaction between the interviewer and the subject and the pre-production preparation undertaken. This document aims to provide some useful tips and thoughts to help you enhance your interviews and create a relaxed and productive conversational environment.

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Training courses tagged

  • BTEC Professional Certificate in Digital Imaging: 3 days

    The following units are the BTEC accredited assessment components of our still image professional development certificate and award.

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  • Video Production 1: Lectures and Interviews 2-day course

    The use of video in education has ceased to be an occasional occurrence, but the quality of videos has not kept pace with their popularity. This course is intended to instil basic competence in the many areas of knowledge that are needed to produce good video work. A hands-on approach is taken, such that during the two days of learning about video techniques the participants will actually produce two short videos. All equipment and facilities will be supplied.

    PLEASE NOTE: This is a two-day course. Course fees are as follows:

    • £275 for participants from UK Higher or Further Education
    • £325 for participants from government, charities, libraries, galleries or museums
    • Prices for all other participants are available on request
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  • JISC Advance - Digital Media and Copyright Seminar

    Bringing together experts in digital media and copyright law this seminar created by the JISC Advance services, JISC Digital Media and JISC Legal, uses common real-world scenarios to focus on how copyright impacts on the use of digital media. The seminar will allow participants to gain an understanding of the common issues and challenges facing institutions in the current copyright landscape.

    Seminar fees: £100 per participant. Includes lunch and refreshments. There will be a pre-seminar online exercise attendees are requested to complete. This is merely to provide some background knowledge prior to the seminar.

    Objectives

    • To increase confidence in dealing with multi-layer intellectual property rights in digital media
    • To identify appropriate approaches to dealing with the uncertainties of copyright law in relation to digital media
    • To share experiences of both issues and solutions to IPR challenges in relation to digital media
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  • Building Effective Screencasts

    Screencasts - videos of on-screen computer activity, accompanied by voice-over, and possibly other media (webcam video, Powerpoint slides etc) - have in recent times increased massively in popularity, scope and acceptance, and can now provide a sophisticated learning experience, incorporating slides, images, video, audio, screen annotation, subtitles, interactive quizzes and more.. Whether you want to narrate a presentation, demonstrate the use of software, or record and share your screen for any other reason, a screencast may well be the answer.

    This practical one-day workshop provides an opportunity to learn how to maximise the value of screencasting in presentation, demonstration and digital storytelling for teaching and learning, in the context of the whole workflow from planning your own short screencast to rendering it as a video. We've even had some delegates posting finished screencasts to YouTube by the end of the day!

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  • Digital Media Restoration (Audio-Visual only)

    Analogue media deteriorates at an alarming rate and few digitisation projects can hope to retrieve great signals from aged collections. In order to archive maximum usefulness some basic digital remastering is often required. Fortunately, today's digital tools mean we can easily remove unwanted 'defects' whether hisses and scratches from shellac discs or the distorted colours of old videotapes

    N.B. This course covers digital restoration of audio-visual resources only. It does not cover restoration of still images

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  • Advanced Techniques in Digital Image Capture

    This course looks at the technical background behind, and procedures for, image capture and optimisation delivered through hands-on activities. This workshop will teach you how to produce the correct end product for your intended purpose and teach you the easy 'science' of scanning to remove the guesswork from your image capture.

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  • Digital Photography - Taking Control of your SLR

    This action packed course looks in depth at using a digital SLR's creative controls to put you in charge of your photography. You will also have plenty of hands-on practice with the camera and be shown how to effectively illuminate 2D and 3D objects using tungsten and fluorescent studio lighting.

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  • Digital Photography - Getting Started with your SLR

    This entry level course will provide you with an understanding of the techniques and skills needed to produce great quality images from a digital SLR camera with ease. Some illuminating background theory will be supported by hands-on practical exercises in photography.

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  • Colour Management

    Effective colour management is vital within the digital workflow and anyone working with digital images should understand and be employing the core principles. This training course introduces colour management theory and 'good practice' to ensure that you understand how to achieve consistent and accurate colour between applications, platforms, and devices.

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  • Audio Production: Recording Lectures, Seminars, Interviews and Podcasts

    This course will provide you with the knowledge and skills to record and produce recordings of spoken word audio, with specific emphasis being placed upon the recording of lectures, seminars and events. You will learn the basic concepts of recording technologies and through practical exercises you will learn how to confidently apply these to practical situations. The workshop will also introduce you to ideas for delivering new media such as podcasting, and suggest methods for managing your digital recordings.

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  • Introduction to Image Metadata

    This course is designed specifically to help you consider how to effectively incorporate metadata into the fabric of your image collection, through explanation, discussion and practical activities.

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  • Digitising Analogue Video Recordings

    Over the past fifty years the videotape has grown from an obscure television production tool into a vibrant and vital social document. But videotape has proved to be a fragile long-term medium and its contents are at risk. This risk can only be mitigated through careful planning. This workshop will investigate the challenges associated with the preservation of videotapes. Through practical exercises, we will look at how digitising materials to archival standards can both safeguard and help develop a collection. We will also look at the challenge of creating a sustainable digital collection. Quality assurance procedures and best practice will be referred to throughout.

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  • Essential Techniques in Digital Image Capture

    This entry level course provides an easy to understand theoretical overview of digital images and image capture combined with practical exercises using both a scanner and digital SLR camera for those getting started with creating digital images.

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  • Using Digital Media in VLEs

    This one day workshop focuses on the effective use of digital media online including the Virtual Learning Environment (VLE). During the workshop attendees will discover how to improve their presentation resources, know when and how digital media can be used to enhance learning materials and be able to successfully embed their new knowledge in their VLE and online services.

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  • Finding Free-to-Use Images, Video and Audio

    If you've ever needed to find images, video or audio you can use in your work materials then this course is for you. It will guide you to all the best places to locate free-to-use, copyright-cleared digital media resources for use in teaching and learning. You'll never use Google to find digital media again!

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  • Essential Photoshop Skills

    This course will get you up and running with Adobe Photoshop. You will learn key concepts and skills to enable you to understand and start using this exciting application with confidence.

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  • Managing Digital Media Collections

    Now that many important materials are in a digital form, building an accessible online media collection which successfully delivers images, sounds, video and other media is a goal of many institutions.

    Until recently, expensive Digital Asset Management systems where the most viable option, but now open source server applications such as Dspace, Omeka and Drupal hold the promise of truly interoperable and standards-based collection management.

    This one day course will offer a model of digital collection management, based upon open source solutions. Attendees will gain hands-on experience of planning, building, managing and delivering a digital media collection.

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  • Image Optimisation for Print and Web

    This course covers the essential skills you need in order to maximise the quality and visual appeal of digital images from both scanners and digital cameras. You will learn the tips and tricks necessary to transform your images quickly and easily.

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  • Building a Departmental Image Collection

    This course will provide you with a hands-on experience of creating, managing and delivering a departmental image collection. You will acquire the foundation knowledge required to make well informed decisions about building an image library. You will also have the opportunity to discuss and share information with people from the HE/FE/Cultural sector facing similar issues in order to help you develop practical solutions.

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  • Copyright and Digital Media

    This informative and stimulating course is run by a leading expert in copyright. It looks in-depth at how copyright and other legal issues impact upon digital media and it will enable you to develop practical approaches to clearing and managing those rights within your own collections.

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  • Digitising Analogue Audio

    To meet the skills required by libraries, archives and institutions to digitise their existing analogue collections, this course aims to provide a complete introduction to the theory and practicalities of successfully digitising analogue audio resources. The workshop will provide hands-on tuition alongside presenting theoretical knowledge with group discussions of topics surrounding the digital lifecycle, in a digitisation project based context. The workshop has been designed as a precursor for our more technical, media specific training modules. The practical elements will involve digitising audiocassette tapes as example media.

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  • Scanning with the CLA Licence

    This course provides a thorough practical overview of how to digitise images and text from print-based materials. You will use a desktop scanner and related technology to effectively enable you to leverage the rights granted to you by the Copyright Licensing Agency (CLA) scanning licence.

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  • Digitising Grooved Discs and Open Reel Audio

    This course is designed to meet the requirements of staff in libraries, archives and other related institutions needing to digitise existing analogue collections. The course builds on our Digitising Analogue Audio workshop, by introducing a range of legacy audio media and examining them in more detail.

    The workshop will provide the opportunity to both handle these media and configure the equipment needed for their successful playback. A recommended, pragmatic workflow will be followed.

    Essential theoretical and interesting historical information is included which together contribute to understanding: the development of audio recording technologies; how to handle and best reproduce each medium; how to digitise each medium to archival standard.

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Blog entries tagged 'audio'