Last updated: 10 January 2005
Published in:
Managing a project
Tags:
business & community engagement |
data protection |
digital collections
This advice document provides a simple introduction to the Data Protection Act, but considers in some depth the issues relating to photographs.
The Data Protection Act 1984 introduced some protection for personal information processed by computer systems. This was replaced by the much more extensive Data Protection Act 1998. The 1998 Act was the UK's implementation of a 1995 European Union Directive, intended to harmonise data protection laws throughout the EU. Most of the 1998 Act's provisions came into force on 1 March 2000, although some limited exemptions are in place until October 2007.
The Data Protection Act is also closely related to the Human Rights Act 1998 (in force from 2000) and the Freedom of Information Act 2001 (in force from the beginning of 2005). The latter governs access to information held by public bodies, including FE and HE institutions.
Both the Data Protection Act and the Freedom of Information Act are regulated by the Information Commissioner's Office.
The Office provides advice and oversees compliance with both acts. It also provides systems for formal notification and registration.
The purpose of the Data Protection Act is to ensure that personal data is dealt with in a responsible way. It details a set of principles for those who hold and process personal data and rights for individuals whose data is held.
In order to understand the scope of the Act there are several key terms or concepts that need to be understood (these are summaries - refer to the Act itself for formal definitions):
Personal data must be:
This is a brief summary. Please see the Act for a full statement of the principles and the Commissioner's web site for guidance on interpreting them.
The first principle states that personal data should only be processed if it meets at least one of these conditions (summarised, see Schedule 2):
In the case of sensitive personal data it should only be processed if it meets at least one of the above conditions plus at least one of the following additional conditions (summarised, see Schedule 3):
A Data Subject has the right to:
The Data Protection Act offers many exemptions. Some are 'transitional' and will cease in October 2007; others are permanent exemptions.
Many of the exemptions are fairly obvious - much of the Act can be disregarded, for example, for the purposes of safeguarding national security; and you do not need to abide by the principles in disclosing information within your own family!
There are a couple of others that Data Controllers might be able to claim when using photographs of people:
Each of these exemptions are considered more fully in the next section.
Laws cannot anticipate every situation in the world; they require interpretation, application, and testing in the courts. The Data Protection Act has only been considered in a small number of cases, so the precise meaning and application of some parts of the Act is still unclear. Until the courts rule on these matters, it is best to rely on the guidance of the Information Commissioner's Office and advice from relevant legal practitioners.
The courts have determined that photographs and images of people are capable of being personal data (the case of Durant v Financial Services ). Where the name and image of a person are linked - or are capable of being linked - then the person can be identified and the image should be regarded as personal data.
The problem arises where an image is anonymous (unnamed and unknown to the Data Controller) but is theoretically capable of being recognised and identified by someone else who knows that individual.
The Act states that personal data is information relating to living people who can be identified from those data, or from those data and other information which is in the possession of, or is likely to come into the possession of, the data controller (our italics). Does 'can be identified' mean 'is identified' or more broadly 'is capable of being identified'?
The UK courts have not yet ruled on this issue. The Information Commissioner's Office has not given unambiguous guidance, but has tended towards the 'is capable of being identified' definition. They have said to JISC Digital Media that where a person is the focus of an image, that image is likely to be personal data - even in the absence of a name or other identifying information. But where people are incidentally included in an image or are not the focus (e.g. a busy street scene) the Information Commission's Office believe that the image is unlikely to contain personal data.
If photographs are personal data, can they further be regarded as sensitive personal data?
As stated above, sensitive personal data consists of information on someone's racial or ethic origin, political opinions, religious or similar beliefs, trade union membership, physical or mental health condition, sex life, offences (committed or alleged), or proceedings/sentences for those offences. Particular conditions must be met if you wish to process someone's sensitive personal data (e.g. explicit consent).
It is clear that a photograph could sometimes relate information of a sensitive nature (e.g. someone participating in a religious ceremony). But does a depiction of someone holding a cane or sitting in a wheel chair provide information about their physical condition? Does any image of a person provide some information about their racial or ethnic origin? If this is so, any photograph of any recognisable person should be regarded as sensitive personal data and treated as such.
This issue has been raised in a UK case ( Campbell v MGN Ltd , involving a photograph of the model Naomi Campbell leaving a Narcotics Anonymous meeting). However, the judge deliberately chose not to rule on whether a photographic image could amount to sensitive personal data.
The Information Commissioner's Office has said to JISC Digital Media that while an image might indeed constitute sensitive personal data, the depiction of someone's skin colour is not a clear indication of ethnicity and should not, by itself, be regarded as sensitive personal data. Some legal commentators have taken a more cautious approach, recommending that all photographs of people be regarded as sensitive until the courts have provided a clear ruling (e.g. Michalos - see references below).
The fourth principle states that personal data must be accurate and 'where necessary' kept up to date. This may have some impact on digital photographs that have been manipulated. Simple enhancement or retouching of an image is unlikely to pose a problem, but any manipulation that misrepresents things (e.g. showing someone at a place they have never visited) is likely to breach this principle. In some cases, the manipulator might be able to claim an artistic or journalistic exemption.
Putting an image of someone on a public Internet site could amount to transferring personal data to a country without adequate protection (Principle 8). Permission should be sought, or the image restricted to those in appropriate locations (perhaps through password access or by filtering IP addresses).
Could someone creating or handling photographic or digital images claim an exemption on the basis of journalistic, literary or artistic purposes?
These three activities are regarded by the Act as 'special purposes' and can receive exemption from many of the Act's provisions, including any need to obtain consent, provided they satisfy all of these conditions:
Journalism, literary and artistic purposes are not defined by the Act but legal commentators expect them to have fairly wide definitions. Photographs created especially for artistic purposes might qualify for an exemption, or a photograph that is used as an illustration. 'Public interest' is likely to be interpreted a little more broadly than the common meaning (i.e. things of a serious nature) - otherwise it would seem difficult to relate this to literary and artistic activities.
At first appearance this exemption seems quite broad. However, the fourth condition is important. It says that the Data Controller will only be exempt from a provision of the Act if that provision is incompatible with their journalistic/literary/artistic purpose. One of the most obvious provisions someone would seek an exemption from is the need to obtain consent.
Someone taking an artistic photograph of people might not want to seek permission because they want to capture their subjects unaware, in a natural setting. This seems like a reasonable argument. However, since there is little to stop them seeking consent after the photograph has been taken, there is no real incompatibility between their special purpose (artistic photography) and the need to seek consent. Because of this it is doubtful whether they could claim an exemption.
However, someone taking and publishing a journalistic photograph might have a stronger claim. If consent were refused they could well be unable to take or use the photograph (unless they could claim another of the conditions in schedules 2 or 3, above). In this case it could be argued that the requirement for consent is incompatible with their journalistic purpose and that there is a strong public interest in taking and publishing the photograph.
Could someone creating or handling photographic or digital images claim a research exemption?
'Research' is not defined by the Act, except that it includes 'statistical and historical purposes'. This is an important exemption for those holding historical material, such as archivists. It enables personal data held (legitimately) for one purpose to be transferred to an archive and held there indefinitely (an exemption from Principle 5) and used for another purpose (i.e. research, an exemption from Principle 2). The data can also be disclosed to other people as long as this is also for research purposes.
It seems that this exemption could enable historical images to be held within a digital collection that is limited to research purposes. Note that the exemption only applies to certain, limited, provisions of the Act. All other standard conditions of the Act must be met (e.g. not transferring the data to unprotected countries) along with the two specific conditions that the data isn't used to make decisions about individuals and will not cause substantial damage or distress.
Data Protection may seem complicated and prohibitive, but there are some simple practices that will help you meet any obligations and there are some good sources of help and advice - particularly the Information Commissioner's Office helpdesk).
Last updated: 10 January 2005
Published in:
Managing a project
Tags:
business & community engagement |
data protection |
digital collections
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