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Still images
An Overview of Colour Management for Still Images
Approaches to Describing Images
Basic Guidelines for Image Capture and Optimisation
Can I Use Images Found on the Internet?
Case Study: History of Art, University College Cork
Case Study: Staffordshire Past Track
Case Study: University of Bristol Theatre Collection
Choosing a File Format for Digital Still Images
Choosing a System for Managing your Image Collection
Colour and Resolution Targets
Colour Management in Practice
Colour Theory: Understanding and Modelling Colour
Converting your Slides into Digital Images
Copyright and Digital Images
Copyright and Still Images: Frequently Asked Questions
Creating JPEGs from your Master Archive Images
Data Protection
Digital Cameras
Digitising Microfiche and Microfilm
Do Digital Images Exist in the Real World?
Finding Art, Architecture and Design Images
Finding Images on Flickr
Frequently Asked Questions about Copyright
Generic Image Digitisation Workflow
Generic Image Digitisation Workflow: Text Version of Diagram
How Do I Digitise Difficult Objects?
Image Backgrounds for Screen Presentations and the Web
Image Editing Software
Image Management Software
Image Management: Bright Interactive Asset Bank
Image Management: Cerious ThumbsPlus
Image Management: Daydream FocusOPEN
Image Management: exeGesIS LibraryLink
Image Management: Extensis Portfolio
Image Management: FotoWare FotoWeb
Image Management: Gallery
Image Management: Gallery Systems EmbARK
Image Management: Gallery Systems TMS (The Museum System)
Image Management: Greenstone
Image Management: House of Images HPAC
Image Management: iBase Online Library and Asset Management
Image Management: IMatch Digital Image Management Solution
Image Management: imgSeek
Image Management: Innovative Millennium
Image Management: KE EMu
Image Management: LogicMighty MediaLibrary
Image Management: LogicMighty PhotoLibrary
Image Management: Luna Imaging Insight Software Suite
Image Management: Madison Digital Image Database (MDID)
Image Management: ModesXML
Image Management: OCLC CONTENTdm
Image Management: Picdar Media Mogul
Image Management: Third Light Image Management System (IMS)
Image Management: Willoughby MIMSY XG
Image Management: Zetcom MuseumPlus
Introduction to the Vector Image Format
Is There Still a Role for Film?
Metadata and Digital Images
Model Release - Permission to Use Images of People
Photo Sharing Sites
Photographic Guidelines
Practical Ways to Use Digital Images in Teaching and Learning
Resampling Raster Images
Resolving the Units of Resolution
Review of Image Search Engines
Roles and Responsibilities for Staff Involved in Building Digital Image Collections
Roles and Responsibilities for Staff Using Images for Teaching and Research
Scanners
Setting up a Workspace for Digitising Images
Still Image Capture: Hardware and Software
Taking Care of Your Digital Camera
Taking Pictures under Available Light
The Camera Raw File Format
The Digital SLR Camera for Teaching, Learning and Digitisation
The Digital Still Image
The PNG File Format
Useful Books, Magazines and Online Publications for Digital Imaging
Useful Links to Imaging Manufacturers, Suppliers, Products and Services
Using a Budget Digital Camera for Teaching, Learning and Research
Using Blogs to Find and Organise Images
Using Flickr to Organise a Collection of Images
Using GIMP Software for Teaching and Research
Using Images In Education
Using Images in Learning, Teaching and Research Materials
Using Optical Media for Digital Preservation
Using Wikis to Find and Organise Images
Vector Drawing Software
Vector Graphics Illustrated Glossary
Watermarking Images
What is Wavelet Compression?
Which Digital Camera Do You Recommend?
Which Digital Camera File Formats Should I Use?
Audio
AAC Audio and the MP4 Media Format
Acoustic Treatment
An Introduction to Digital Audio
An Introduction to Using Digital Audio Software
Audio Digitisation Workflow
Audio Processing - Dynamics and Compression
Audio Troubleshooting Guide
Audio via Blackboard
Basic Audio Editing
Basic Audio Mixing
Case Study: Good Newts / Bad Newts
Choosing a Digital Audio File Format
Choosing an Audio Interface - Project Requirements
Choosing an Audio Interface - Technical Considerations
Choosing an Audio Interface - Unit Specifications
Choosing your Digital Audio Software
Creating an Audio Ident
Creating an Audio Podcast
Digital Equalisation
Equipping an Audio Digitisation System
Metadata and Audio Resources
Microphone Guide
Microphone Technique
Recording Skype Calls
Recording Telephone Conversations
Review of Audio Search Engines
Selecting an Audio Digitisation System
Setting up an Audio Workspace
Stereo Recording Techniques
The Digital Audio Software Environment
The Physical Principles of Sound
Uncompressed Audio File Formats
User Guide to MP3
Using a Mobile Phone as an Audio Recorder
Working with Digital Audio Files
Moving images
Adding Closed Captions to Flash Videos
Basic Guide to Shooting Video
Basic Guide to the Flip
Basic Guide to Videoing Groups
Basic Guide to Videoing Interviews
Basic Guide to Videoing Lectures
Choosing a Digital Video File Type
Equipping a Video Digitisation System
Finding Videos for Academic Purposes Using Web-based Video Hosting Sites
Generic Video Digitisation Workflow
Introducing Screen Capture Software
Introduction to Animated Graphics
Introduction to Digital Video
Metadata and Digital Video
Online Delivery Options for Digital Video
Planning a Video Digitisation Project
Review of Moving Image Search Engines
Screencasting: Broadcasting On-screen Activity
Selecting a Video Digitisation System
Transcoding Digital Video
Using Video in Teaching and Learning
Using Web-based Services for Finding and Hosting Videos for Academic Purposes
Using Web-based Services for Hosting Videos
Cross-media
An Introduction to Digital Preservation
An Introduction to Metadata
Analogue Film Types Used for Still and Moving images
Asset Management: Papermule DAM & Workflow Engine
Audio/Video Production: Recording Lectures, Seminars and Events
Audiovisual Copyright: Frequently Asked Questions
Audiovisual Signal Types and Interconnects
Budgeting for a Digitisation Project
Choosing a File Name
Controlling your Language: a Directory of Metadata Vocabularies
Copyright and Other Rights for Creating Time-based Media Resources
Copyright: An Overview
Deciding to Digitise
Delicious Bookmark Service
Digital Media with the WebCT Virtual Learning Environment (VLE)
Digitisation Services
Digitisation Staff Training
Establishing a Digital Preservation Policy
File Formats and Compression
Graphical User Interface Design: Developing Usable and Accessible Collections
Learning Lessons from Other Digitisation Projects
Light Sources for Still and Moving Images
Links to Digital Media and Digital Preservation Organisations
Links to Video, Image and Audio Resources
Metadata Standards and Interoperability
Overview of JISC Digital Materials for those using Digital Media in Teaching and Research
Overview of JISC Digital Media Materials for Digitisation Project Staff
Overview of JISC Digital Media Materials for those involved in Business and Community Engagement
Pedagogical Uses of Presentation Software
Potential Sources of Funding for Digitisation Projects
Project Management for a Digitisation Project
Putting Things in Order: a Directory of Metadata Schemas and Related Standards
Quality Assurance and Digitisation Projects
Risk Assessment for Digitisation Projects
Selection Procedures for Digitisation
Selection Procedures: Text Version of Decision Tree Diagram
Signposts to Relevant Organisations
Stands and Supports for Still and Moving Images
Sustainability of Digital Collections
Systems for Managing Digital Media Collections
To Outsource or to Digitise In-house?
Use of VLEs with Digital Media
Useful Books, Magazines and Online Publications for Audio and Audio Visual
Using Digital Media in Moodle
Using Digital Media with Blackboard
Using Quandary to Add Interactive Learning Objects
Using SlideShare to Share Presentations
Vector Graphics Resources
Training
Courses
Advanced Techniques in Digital Image Capture
Audio Production: Recording Lectures, Seminars, Interviews and Podcasts
Building a Departmental Image Collection
Colour Management
Copyright and Digital Media
Digital Media Restoration
Digital Photography - Getting Started with your SLR
Digital Photography - Taking Control of your SLR
Digitising Analogue Audio
Digitising Analogue Video Recordings
Digitising Grooved Discs and Open Reel Audio
Essential Photoshop Skills
Essential Techniques in Digital Image Capture
Finding Free-to-Use Images Online
Image Optimisation
Introduction to Image Metadata
Managing a Raw Digital Photography Workflow
Managing Digital Media Collections
Scanning with the CLA Licence
Using Digital Media in VLEs
Video Production 1: Lectures and Interviews 2-day course
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