Posted by Steve Hull on Tuesday 17 February 2009 at 2:55pm
Tags:
copyright |
The recent past has seen the erosion of the concept of fair dealing in the UK and elsewhere, but the latest proposal by the New Zealand government far exceeds what we have seen over here.
Fair dealing is the idea (known as fair use in the US) that it is permissible to quote from a copyright work under certain circumstances. A new law coming into effect on the 26th of February in New Zealand will, astonishingly, require the blocking or closing down of websites merely on the basis of an accusation of copyright infringement. For more details see the Creative Freedom Foundation.
Posted by Gavin Brockis on Tuesday 17 February 2009 at 12:41pm
Tags:
composition |
digitisation |
microphones |
sound recordings |
As an accompanying piece to my installation next week of Steve Reich's Pendulum Music, I've been asked to provide an ambient sound bed, which will play between the 'performances' of the Pendulum Music which take place over the course of a week.
I've decided to use a recording of pendulum clocks, and found a pair of beautiful antique grandfather clocks - with a combined age of well over 400 years - today at Blaise Castle House Museum. They have kindly given me permission to record outside of opening hours, to avoid the clamour of the half-term hordes, and tomorrow I'm setting up a pair of Neumann KM84s, a Mackie Satellite interface (24bit/96kHz , low noise and phantom power), and Logic on a Macbook Pro to capture the two clocks slowly drifting in and out of phase with each other. I'm hoping to reproduce the hypnotic sound of the two clocks in the large marble entrance hall by amplifying each through a separate speaker, and placing them a distance apart within the Long Corridor at shunt, to take advantage of its great acoustic.
For me this is a nice combination of sound art, the documentation of an unusual ambient sound environment, and audio Cultural Heritage. I'm hoping to gather some additional information about the clocks themselves, and get some high quality photographs too, then copy it all into a little metadata package to accompany the audio. Apparently they have another pair upstairs, which I'll try to capture if I have time, and will certainly do at a later date.
It was interesting to talk to the stewards at Blaise, both of whom commented on the relationship between the rhythms and sounds of the two mechanisms, and the meditative effect of the slow shift. Hopefully Steve Reich would approve.
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Posted by John Hargreaves on Thursday 12 February 2009 at 12:21pm
Tags:
data protection |
photography |
Do you think that there has been an increase in the amount of legislation introduced which has curbed individual freedom?
Have you had experience of ‘stop and search' by the police under section 44 of the Terrorism Act?
On Tuesday 10th February the BBC Radio 4 programme ‘Law in Action' included a piece on the law as it relates to taking photographs in public places. The motivation behind the piece is the increase in the use of Section 44 of the Terrorism Act by police officers on professional and amateur photographers. A brief explanation of the law as it relates to taking photographs in public places was given and included the following:
You can hear the 10th February edition of Law in Action via the BBC i player.
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Posted by Steve Hull on Tuesday 10 February 2009 at 2:20pm
Tags:
cameras |
photography |
video |
In November, Red Digital Cinema announced their new range of cameras which are expected to be available between this spring and the summer of 2010. "Range of cameras" isn't quite accurate, as Red have adopted a completely modular approach. It includes two of what Red refers to as Brains, the sensing and capturing core of the system. These are called Scarlet and Epic and are accompanied by an almost mind-boggling list of performance specs.
Scarlet, the (relatively speaking) economy model, has a sensor array size of up to a full 35mm frame with up to 6K image size (6K by 4K, around 24 megapixels) and up to 72 frames per second. The Epic brain, meanwhile, will offer up to an astonishing 6cm x 17cm (anamorphic) frame at 28K (around 281 megapixels) with a frame rate of up to 350 fps. No, that's not a typo. The rest of the modular system includes monitors, battery packs, lens mounts, handles, I/O modules and recording modules. Red continues to support the use of Canon, Nikon and Arri PL lenses as well as offering their own line.
The mention of Canon, Nikon and Arriflex in the same breath is indicative of what is perhaps the most interesting aspect of Red's philosophy. There has always been a fuzzy dividing like between moving and still images; moving images are, after all, just a lot of still images shown one after the other very quickly. Enlarged single frames from films have long been used as (admittedly low-quality) still images in film studies courses and practically all modern stills cameras (and mobile phones, for that matter) provide a limited videomaking capability.
Red, however, has decided that it's time to end the distinction once and for all. They refer to their cameras as DSMCs, digital stills and motion cameras, and consider them to be up to the task of both video and still image work. That said, the specifications for the cameras, the configuration of their components and the area of greatest customer interest are firmly rooted in the world of video. Nonetheless, the eventual merging of the still and moving image worlds seems inevitable and Red is taking a big step towards that goal, however distant it may be.
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Posted by Zak Mensah on Monday 09 February 2009 at 8:00am
Tags:
news |
TASI, one of the JISC's Advisory Services, has re-branded as JISC Digital Media. The team will continue to provide advice, training and guidance on the creation and use of digital media collections, however the recently expanded service now provides expertise in moving images and sound in addition to still images and their use in learning, teaching and research.

From help with finding and using the right media, to advice on creating and delivering digital formats or consultancy on managing a digitisation project, JISC Digital Media promotes good practice, technical expertise, the use of appropriate standards and the sharing of knowledge within the UK FE and HE communities.
To learn more about the service join the JISC Digital Media team for drinks and canapés at one of the following venues:
Please note there will be a short presentation at 4.00pm.
Please view the invitation here.
RSVP: launch@jiscdigitalmedia.ac.uk stating the launch venue you wish to attend and the names of any other guests you wish to bring.

JISC Digital Media - Still images, moving images and sound advice
For further information about JISC Digital Media's services please visit:
www.jiscdigitalmedia.ac.uk, email info@jiscdigitalmedia.ac.uk or call 0117 331 4447
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Posted by Zak Mensah on Wednesday 04 February 2009 at 12:07pm
Tags:
e-learning |
Although it can be difficult to manage it is crucial to remove test accounts used by staff and associates in your VLE. I was reminded of this very recently when my main account was accidently suspended. Once I realised that I was locked out of my account and that I was out of hours for IT support I remembered that I had access to a test account that I used to mimic the student experience. This account was not suspended as it is not associated with my normal account. In this instance the test account had instructor rights (Blackboard) and I was able to continue as normal. This serves as a reminder that it is good practice to regularly remove temp accounts. Not only for security purposes but also to keep archives accurate and a tidy VLE house.
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